07-12-2017, 08:07 PM
Aye. Sheldon and Penny, the alien and the human-all-too-human waitress, the odd couple, engaged in their various warfares (whilst learning from each other), Howard and Raj as an innovative mobile disaster duo with new shenanigans each week, and Leonard as the normie with all his incredibly unfortunate romantic scenarios. It was perfect.
Now we have three couples that frankly I can't tell apart (they have the same plots, engagements, jealousies, breakups, babies, rings, normal date nights at normal restaurants wearing normal beige clothes...Sheldon and Amy's relationship is the dullest of all, which is an impressive dampening of two originally interesting characters), two of which don't even seem to like their partners very much, and one lonely satellite of Raj, who, as PJ has said, has been turned into a prat.
What was the point of changing three distinct and excellent dynamics into one boring one (the tired romantic relationship) plus Raj? If you have three couples (sometimes there's even four, god help us) you have identical dynamics. You only need ONE couple to use that set of relationship jokes.
Fucksake.
Now we have three couples that frankly I can't tell apart (they have the same plots, engagements, jealousies, breakups, babies, rings, normal date nights at normal restaurants wearing normal beige clothes...Sheldon and Amy's relationship is the dullest of all, which is an impressive dampening of two originally interesting characters), two of which don't even seem to like their partners very much, and one lonely satellite of Raj, who, as PJ has said, has been turned into a prat.
What was the point of changing three distinct and excellent dynamics into one boring one (the tired romantic relationship) plus Raj? If you have three couples (sometimes there's even four, god help us) you have identical dynamics. You only need ONE couple to use that set of relationship jokes.
Fucksake.
"WHERE THE HELL'S MY PARACHUTE?"