12-18-2014, 10:26 AM
IGN Jim Parsons January 29 2010
http://ca.ign.com/articles/2010/01/29/ba...don-speaks
Memorable Lines:
[JP]:My thing, and I've always said this, and I'm not trying to defer attention or anything like that, is the writing....I've heard it said that it's a writer's medium, and I completely believe that...and in our case specifically, we only have what they bring. [laughs] We can only play with what they've written, as it were. And we're in a very fortunate circumstance where what they're writing is sincerely funny, you know? And maybe 'sincere' is sort of the key word there. There is a great sincerity in what we're doing here...in deference to the format itself. We're trying to do nothing that different than anything that's been done before. But we're trying to do it as best we can.
[JP]:I do think of the scenes and this dialogue very specifically in a musical way. And it's much more self conscious, I have to say. I am able to consciously realize that I'm doing it. The way that they're writing this, and it's what I felt from day one with this...it wasn't the story that grabbed me, though it was lovely. And it wasn't even the characters themselves as far as who made them what they are. When I first saw the audition sides for this show, I really wanted to leap at the opportunity to get to execute this dialogue. And it was all about the rhythms they put in there. And one of the things the writers are so good at is utilizing, not just scientific terms, but especially in the case of Sheldon, just so many damn words in general, but putting them in a format that has a song to it.
I think there is a musicality to any conversation in general. Some a bit more melodic than others, depending who you're talking to. [laughs] It's most especially accentuated here. It's definitely highlighted, maybe in any comedy. But most certainly in this one, I think. And it's one of the great joys. And it's one of the ways in which, as an actor, in this show at least, I know when something is not going right. Nine times out of ten I'm right about it. Because suddenly you can't access the rhythm. And either they're about to rewrite something that's going to make it fall into place...or you've got more days of rehearsal and suddenly you're going to feel it...I frequently say, 'That scene sings like a song.'
[JP]: I think any comedy writer has a certain rhythm and I think that Chuck, specifically, has a very...[laughs]...he knows how to make the twenty-two minutes of television play by in the right way. I think it's the reason that his shows repeat so well in audience numbers. Because I feel like the stories are good and the things you discover the first time you watch the stories are lovely. But perhaps its best quality is that the episode itself goes by like a song. Even if you know what's going to happen because you've seen it once or twice before, it's still so much fun to watch. And I think that has to do with the rhythm of it. It's like a favorite song. You know the song, you know where it's going, but it's still enjoyable because you like hearing certain notes hit. You like hearing certain rhythms hit.
[JP]: I think [Lorre] views Sheldon finding love or the desire for Sheldon to find love as a bit of an attempt to normalize Sheldon. And see the more normal side of Sheldon and oh, he is like us. ...He's very interested in continuing to celebrate how different Sheldon is than the general populace. And he really likes exploring this version of Sheldon, where Sheldon has essentially kind of opted out of the romance scene. He's not taking time for it. In fact, he's kind of deemed it something that for him, at this point, is sort of a waste of time. There is so much more for him to do, he sees, specifically in science in this case, but whatever.
Mood of the Masses: No Comments
http://ca.ign.com/articles/2010/01/29/ba...don-speaks
Memorable Lines:
[JP]:My thing, and I've always said this, and I'm not trying to defer attention or anything like that, is the writing....I've heard it said that it's a writer's medium, and I completely believe that...and in our case specifically, we only have what they bring. [laughs] We can only play with what they've written, as it were. And we're in a very fortunate circumstance where what they're writing is sincerely funny, you know? And maybe 'sincere' is sort of the key word there. There is a great sincerity in what we're doing here...in deference to the format itself. We're trying to do nothing that different than anything that's been done before. But we're trying to do it as best we can.
[JP]:I do think of the scenes and this dialogue very specifically in a musical way. And it's much more self conscious, I have to say. I am able to consciously realize that I'm doing it. The way that they're writing this, and it's what I felt from day one with this...it wasn't the story that grabbed me, though it was lovely. And it wasn't even the characters themselves as far as who made them what they are. When I first saw the audition sides for this show, I really wanted to leap at the opportunity to get to execute this dialogue. And it was all about the rhythms they put in there. And one of the things the writers are so good at is utilizing, not just scientific terms, but especially in the case of Sheldon, just so many damn words in general, but putting them in a format that has a song to it.
I think there is a musicality to any conversation in general. Some a bit more melodic than others, depending who you're talking to. [laughs] It's most especially accentuated here. It's definitely highlighted, maybe in any comedy. But most certainly in this one, I think. And it's one of the great joys. And it's one of the ways in which, as an actor, in this show at least, I know when something is not going right. Nine times out of ten I'm right about it. Because suddenly you can't access the rhythm. And either they're about to rewrite something that's going to make it fall into place...or you've got more days of rehearsal and suddenly you're going to feel it...I frequently say, 'That scene sings like a song.'
[JP]: I think any comedy writer has a certain rhythm and I think that Chuck, specifically, has a very...[laughs]...he knows how to make the twenty-two minutes of television play by in the right way. I think it's the reason that his shows repeat so well in audience numbers. Because I feel like the stories are good and the things you discover the first time you watch the stories are lovely. But perhaps its best quality is that the episode itself goes by like a song. Even if you know what's going to happen because you've seen it once or twice before, it's still so much fun to watch. And I think that has to do with the rhythm of it. It's like a favorite song. You know the song, you know where it's going, but it's still enjoyable because you like hearing certain notes hit. You like hearing certain rhythms hit.
[JP]: I think [Lorre] views Sheldon finding love or the desire for Sheldon to find love as a bit of an attempt to normalize Sheldon. And see the more normal side of Sheldon and oh, he is like us. ...He's very interested in continuing to celebrate how different Sheldon is than the general populace. And he really likes exploring this version of Sheldon, where Sheldon has essentially kind of opted out of the romance scene. He's not taking time for it. In fact, he's kind of deemed it something that for him, at this point, is sort of a waste of time. There is so much more for him to do, he sees, specifically in science in this case, but whatever.
Mood of the Masses: No Comments
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